Digital content
'On Edge: The Restless Sculpture of Alison Wilding,' Art UK (29 October 2024).
'Back to the Future: Tracing the Legacies of Modern British Art,' Art UK (20 September 2022).
‘Breaking the Mould: Sculpture by Women since 1945: Natalie Rudd in conversation with Tessa Moldan,’ Ocula (26 May 2021).
‘Breaking the Mould: Sculpture by Women since 1945,’ Art UK (8 May 2020).
Reviews and articles
'Discovering Women Sculptors,’ The Burlington Magazine 167 (April 2025): 422-423 (book review of Discovering Women Sculptors, edited by Marjorie Trusted and Joanna Barnes PSSA Publishing, 2023).
'Escala: Escultura 1945-2000,’ The Burlington Magazine 166 (February 2024): 103-104 (book review of Escala: Escultura 1945-2000, edited by Penelope Curtis, published to accompany an exhibition at Fundación Juan March, Madrid, 2023).
Hilary Gresty, Permindar Kaur and Natalie Rudd, “Researching women in sculpture: a discussion event at the Henry Moore Institute, 4 May 2022,” Sculpture Journal, 32.1, Liverpool University Press (March 2023): 113-132.
'A brisk and efficient survey of Barbara Hepworth's career coincides with the first biography of the sculptor,’ The Burlington Magazine 163 (November 2021), 1056-58 (review of the exhibition Barbara Hepworth: Art and Life at The Hepworth Wakefield).
‘Breaking the Mould: Sculpture by Women since 1945’, The National Society for Education in Art & Design Magazine, Summer 2020, Issue 28.
‘Curators,’ Times Literary Supplement, May 3, 2019 (book review of When Artists Curate by Alison Green).
‘Dropping Out,’ Times Literary Supplement, March 8, 2019 (book review of Lee Lozano by Jo Applin).
Natalie Rudd and Natalie Walton, 'Learning & Engagement with the Arts Council Collection,’ The National Society for Education in Art & Design Magazine, Summer 2018, Issue 18.
'Money Makes the World Go Round,’ Review of Compton Verney], The Museums Journal, 1999.
Edited volumes
‘Pioneering Women Sculptors,’ Sculpture Journal 32.1, Liverpool University Press (March, 2023) (co-editor of special issue with Dr Rosamund Lily West and Dr Melanie Veasey).
Lewis Biggs, Liverpool Biennial International 2002 (Liverpool: Liverpool Biennial, 2002) (edited by Natalie Rudd).
Introductions and forewords
‘Towards an Abstract Vernacular,’ in Abstract Vernacular: Continuing Conversations (London: Talking Sculpture Making, 2024).
‘Foreword,’ Making It: Sculpture in Britain 1977-1986 (London: Hayward Publishing, 2015).
Monographic texts
‘Ernesto Neto’ and ‘Nairy Baghramian’ in Natalie Rudd and Ralph Rugoff, When Forms Come Alive: Sixty Years of Restless Sculpture (London: Hayward Publishing, 2024).
'William Turnbull's Coltrane', in Jon Wood, ed, William Turnbull: International Modern Artist (London: Lund Humphries, 2022).
‘Chronology', Flashback: Anish Kapoor (London: Hayward Publishing, 2011).
‘Carl Plackman and the Arts Council Collection', ed. Jon Wood, Carl Plackman: Sculpture, Drawing, Writing (Huddersfield: Huddersfield Art Gallery, 2007).
‘About Peter', PB is for Peter Blake (Denmark: Gl. Holtergaard Publishing, 2006).
‘I Don't Have Another Land', Nathan Coley: There will be no miracles here (Edinburgh: Fruitmarket Gallery / Locus+ Publishing, 2004).
‘Peter Blake', Sculpture in 20th Century Britain: A Guide to the Leeds Collections (Leeds: Henry Moore Institute, 2003).
‘Nathan Coley', Days Like These: Tate Triennial Exhibition of Contemporary British Art 2003, (London: Tate Publishing, 2003).
‘Felix Gonzalez-Torres', Leaving Tracks: artranspennine98 (London: August Media, 1999).
In the press
Nazanin Lankarani, ‘How Women Made Their Place in Abstract Sculpture,’ The New York Times 166 (9 October 2021).
Eliza Apperly, “From Courbet to Kardashian: The Self-Portrait’s Enduring Power,” Thames & Hudson website (5 August 2021 2023): 113-132.
